I went through a depression two years ago. It was a new experience for me. Everything, whatever it was, lacked of importance, was trivial. I could not work.
After six months I decided to write a script as an exercise. It was a bit like a therapy, a way of knowing if I could make a movie again.
I finished the script and filmed the movie without much enthusiasm, using half my physical and intellectual capacity.
not worked on the script as usual to me. Add scenes without a reason. Composed images without thinking about the logic or the drama. Once again the issue Nature was, but it was different, much more direct than before. More personal.
There is no specific moral code in the movie, and is based on what some would call "basic needs" in terms of plot.
a youngster I read Strindberg. I was thrilled with what you wrote before moving to Paris and become an alchemist, and what he wrote during his stay there ... the period would later describe as the crisis in hell.
a youngster I read Strindberg. I was thrilled with what you wrote before moving to Paris and become an alchemist, and what he wrote during his stay there ... the period would later describe as the crisis in hell.
Was ANTICHRIST my crisis in hell? "Hence my affinity for Strindberg?
I have no no excuse for the Antichrist, just my deep faith in the film, the most important of my career.
Lars von Trier , Copenhagen, March 25, 2009.
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